Seven Wheelchairs: A Life beyond Po About Seven Wheelchairs ...
Gary Presley was born in 1942 in Long Beach, California; he now lives and writes in Springfield, Missouri. Between 1965 and 2000 he worked in insurance sales and commercial radio. His essays have been published in the Springfield News-Leader, Ozark Mountaineer, Missouri Review, Salon.com, Notre Dame Magazine, and New Mobility.ry Presley was born in 1942 in Long Beach, California; he now lives and writes in Springfield, Missouri. Between 1965 and 2000 he worked in insurance sales and commercial radio. His essays have been published in the Springfield News-Leader, Ozark Mountaineer, Missouri Review, Salon.com, Notre Dame Magazine, and New Mobility. A Fall 2008 Publication of
The University of Iowa Press

Gary Presley was born in Long Beach, California; he now lives and writes in Springfield, Missouri. Between 1965 and 2000 he worked in insurance sales and commercial radio. His essays have been published in the Springfield News-Leader, Ozark Mountaineer, Salon.com,Notre Dame Magazine, and New Mobility.
Presley is no wheelchair hero, no inspiring figure preaching patience and gratitude. An army brat turned farm kid, newly arrived in a conservative rural community, he was immobilized before he could take the next step toward adulthood. Prevented, literally, from taking that next step, he became cranky and crabby, anxious and alienated, a rolling responsibility crippled not just by polio but by anger and depression, “a crip all over, starting with the brain.” Slowly, however, despite the limitations of navigating in a world before the Americans with Disabilities Act, he builds an independent life.
Now, almost fifty years later, having worn out wheelchair after wheelchair, survived post-polio syndrome, and married the woman of his dreams, Gary has redefined himself as Gimp, more ready to act out than to speak up, ironic, perceptive, still cranky and intolerant but more accepting, more able to find joy in his family and his newfound religion. Despite the fact that he detests pity, can spot condescension from miles away, and refuses to play the role of noble victim, he writes in a way that elicits sympathy and understanding and laughter. By giving his readers the unromantic truth about life in a wheelchair, he escapes its stereotypical confines.
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